Golf Sale is a DIY community zine. Focusing mainly on music and art, it's put together quarterly (we hope) by a bunch of people with a genuine love for their subject matter.
With Punk Rock sensibilities (but covering a lot of genres), enthusiasm and half a clue between them the guys and gals responsible for the zine are as varied a bunch as you're likely to see on a project but somehow they manage it.
The paper copy is on sale - you should buy it...

Happy New Year

Happy new year and all that malarky.

Things have been a bit quiet round here of late. Since we discovered a way to post the zine online as it appears on paper we have sadly neglected our Tumblr… Well, no more!

2012 is going to be a BIG year… 

So, who’s looking forward to Rebellion then?

Rancid, Argy Bargy, UK Subs, Monkish, 7 Seconds, Citizen Fish, The Filaments, The Grit, Bow Wow Wow, Peter and the Test Tube Babies, SNFU, Random Hand, The Slackers… And more all confirmed already. It’s going to be fucking huge.





The ICM Presents: Catchily Named Punk Rock Show!

Brand new monthly night - brand new terrible name including a word that isn’t actually a word… Still, should be an awesomely messy night. 

Great line up too - The Bullet Catch, Drones, Death Radio, Mug and Saving Sebastian 

Check the event page out HERE

Band of the week: Meansteed

The first time MEANSTEED played for us I was stunned. I’d never seen so many people down the front of that venue for a band, local or otherwise. And yet, there they were, packed in like sardines. Well, sardines that like to rock out to ‘no bullshit, high octane, uncompromising and raw rock ‘n roll’ (their words) at least.

The band, comprising of Matty Dorkings on lead guitar and vocals, Alison Curry on lead guitar, Ollie Tindall  on bass and Adam Sutcliffe on drums, hail from around the Harrow area and have already got themselves a pretty crazy following… And they should do. These guys (and girl) have balls and know how to put on the sort of show that leaves you sweating and lusting after more the way only the best bands and one-night stands can.

The tunes are not a million miles away from AC/DC and in these days of over-produced bands that hide their lack of energy behind their expensive haircuts, this lot are full-on ROCK!

Their debut EP ‘Engage the Rage’ is a fucking killer of a release. It’s all tight jeans, long hair and black leather sounding but crank this up and before you know it you’ll be playing air guitar and swigging Jack out of the bottle. This is party music - music to fuck to, music to fight to… Music to take you back to a simpler time when rock stars were idols and not whining about the plight of something or other because caring sells more records. 

It might not be considered cool to sound like Meansteed do anymore but, really, who gives a shit? These guys are the best at what they do and what they do is rock the roof off any venue they play at.

Go see these guys live. Go now… get boozed up, dance and engage the fucking rage! 

Punk Goes Pop 4 Tracklist? And it’s not bad…

New tracklisting for Punk Goes Pop 4 is up… HERE

New from Masters In France. Tis a bit of alright.

Next ICM show.

Next ICM show.

Kate Désaccord talks to Ben Cooper aka Radical Face

Ben Cooper, also known as Radical Face, is best known for playing in the band Electric President, as well as his solo music. He is also a member of various other projects, such as Iron Orchestra, Mother’s Basement, and Patients. He is from, and currently lives in, Jacksonville, Florida.

Hey Ben, I appreciate you talking to me. First off, let me say that your music is amazing. How long have you been at it?

Thank you. And I’ve been playing music since early high school. Almost 15 years now. But I didn’t set out to really write songs and record them until 8 or 9 years ago. Everything previous was mostly just playing in bands for fun, or occasionally making tapes on 4-tracks with friends.

So you do solo work (under the name Radical Face) and also play with a band (Electric President). Do you prefer one over the other? What are some differences in the creative processes of each?

I like both for different reasons. The nice thing about working alone is that you don’t have to compromise. You can get exactly what you’re going for, or as close as you’re able to within your abilities at the time. But the nice thing about collaborating is it can push you to do things you normally wouldn’t. It’s less predictable, and sometimes more fun because of it. Collaborations feel more carefree to me.

As for process, I separate them pretty early. If I’m writing a song and I already have a strong feeling about how it should end up, I save that for a solo project. There’s no need to collaborate if you already know what you’re shooting for. But other times I’m working on something, and it seems like it’d be more interesting if someone else was involved to shake things up, or mutate it into something new. Or maybe there’s just not as clear a picture of what it should be in the end, and it’d be more fun to explore that with someone else. Those songs I take to Alex [Kane, of Electric President] and just see what happens when we both start working on it.

A lot of people may recognize your song “Welcome Home, Son” from the Nikon Coolpix commercial. How did that opportunity come about?

I’m not entirely sure. From my perspective, I just get an e-mail from someone with interest in the track. I see what it’s about, and then decide yes or no. But I rarely know how it gets to that point. I guess it was either pitched by someone, or a person working on the campaign just liked the song. Hard to say. Worked out well, though. A lot more people are aware of the music now. I’m certainly not complaining.

What have you been up to lately, musically?

I’m about to release my next Radical Face record. It’s been finished for a while now. It’s the first record in a 3 part series called “The Family Tree.” I’m self-releasing it this time, so it’ll be available in September through my website.

Beyond getting that prepped, I’ve already started recording the second album in the set. I hope to be done next spring. But I take a long time to finish records, so it’s hard to say. I’m also getting together a show for some small tours in fall, which will be the first time I’ve gone out for any length of time in almost 5 years. I don’t play a lot of shows.

I love “Doorways” from your new EP “Touch the Sky.” Your songs are really emotionally striking. Are there any particular songs that are close to your heart?

I’m not good about relating to specific songs when I’m done recording an album. I always see them as complete records, with all the songs making a larger picture. I have songs that are more personal than others, sure, but even those just kinda fall into the whole. So I guess I just don’t think in terms of singles or standouts. I’m often that way as a listener as well, though, so maybe it’s just the way I take in music.

I realize that’s a crappy answer. Sorry about that.

I noticed this with “Ghosts” especially, but a lot of your albums seem to tell stories. Would you call them concept albums? Where do you come up with your material?

Yeah, I love storytelling. Both in art, and just in general. These new records are even more directly driven by storytelling than anything I’ve done previously, so I guess I’m going even further down that road.

I do consider them concept records. I need some kind of driving force to keep me organized and focused, so I do it with concepts. Pretty much every record I’ve done in the past 6 years has had one – just some are more dominant and others are more vague. Most often I come up with the concept before the material. Once I find an idea I’d want to write a lot on, and it seems exciting, I’ll start writing for it. The writing sometimes goes on for years. I started working on material for these Family Tree records in 2007, and I’m still adding to it even now. I tend to let these things stew for a really long time before I have a finished product.

In addition to music, you also do other forms of art, such as illustrations, right? What would you consider your favorite medium?

Yeah, I’ve been drawing and painting since I was a kid. But these days I more work on visuals when I have a specific reason to., like designing shirts or records covers, or something of the sort. It’s not something I do for recreation as much.

I actually wanted to be a writer before getting into music. After high school I quit my jobs, lived on my mom’s couch and wrote every day for over a year. I took part in online writer’s workshops, joined various fiction groups, eventually became an assistant editor for a workshop. I amassed two books in that time, then one day, out of the blue, my hard drive crashed. I hadn’t backed any of my work up. Like that, most of what I’d worked on for over a year was gone. The books were garbage, but it was still quite a blow.

Not knowing what else to do with myself, I started making music again. I’d been in bands a lot during high school, but it turned out to really work for me the 2nd time around. I focused more on recording and less on shows and bands and found myself enjoying it a lot more. These days music is definitely my favorite medium, but one day I want to focus on writing again. I have a lot of stories I want to tell.

What do you like to do in your spare time, when you’re not playing shows or recording?

I got into strength training about 3 years ago. So I lift weights 3 nights a week for about 2 hours. It started as a way to overcome my sleeping problems and correct the issues with my lower back from an old skateboarding injury, but I’ve come to really enjoy it. Somewhat to my surprise. I also love reading, and go through a book every week or two. I like to play Street Fighter when I have the time. It’s something I’ve played since I was a kid, and I still go to tournaments and compete when I can. I go to the beach a lot these days, too. I like swimming in the ocean.

It seems like there’s a pretty good music scene in Jacksonville. I’m a fan of rickoLus, who’s a friend of yours isn’t he? Are there any other artists from your area that you can recommend?

I actually know very little about the music scene here. I don’t ever play in town, and I rarely go out anymore. But I like a lot of what my friends make.

I’ve known Rick/Rickolus since I was 5 years old. So yeah. One of my oldest friends. We actually just finished a record together about two months ago called “Clone”, which will come out early next year. Another friend of mine, Jeremiah Johnson, makes really cool stuff under a project called “Wudun.” I’m also friends with Owen Holmes of “Gospel Music”, and Jack Ringca who now plays as “Jackie Stranger.” I don’t think he has any recordings done yet, though.

So yeah, I guess there’s a good amount of stuff here, but it doesn’t feel like a music scene. These are just people I’ve been friends with for a long time now.

What can we expect from you in the near future?

I’m releasing a free Radical Face EP in August. Then the new full-length record in September. Also working on some music videos, and then some touring in fall. Clone will be released early next year. So a whole bunch of new stuff, I guess.

Anything you’d like to add?

I think that’s it. Thanks for having me.

Ben’s music (from various projects), as well as news, can be found at his website

He can also be found on facebook at and 

It’s Sunday evening - what better way to spend it than with those lovable rogues from UK Vomit. 

Band of the Week: Grindhouse

I didn’t know I was even going to do a band of the week to be honest with you. Now we’re having one we might as well kick off with one that’s going to leave an impression on you - like a boot print to the temple. 

Ladies and gentlemen, we urge you to check out GRINDHOUSE.

I caught this lot last night at the Flag. 2nd band on a very mixed bill where one end was a little light and the other a little heavy, this lot came on and tore the fucking roof off the building. With Metal riffs, Punk vocals and one of the most intense front men I’ve seen for a while - this lot are worth the entrance fee any time you see their name on the flyer.

The lead singer, Frank (whose vocal style was sometimes reminiscent of another Frank - former Gallows front man Frank Carter) paced back and forth with tons of energy, seemingly locking eyes with every member of the crowd he could and screaming, was by far the one to watch. Whilst the other members could certainly play (lacking at times in cohesion but it was too much fun to really give a shit about little things like that) they weren’t the most awe-inspiring sight to be blunt. All long hair and headbanging at times it was like watching a run of the mill Metal band who’d borrowed a Hardcore bands lead singer. But don’t let these words put you off. The tunes were hectic, heavy, ballsy and had that really dirty feeling that only really comes from this particular brand of Punk Rock with a healthy dose of 80’s sleaze added for good measure. 

There was a big hole left when the world lost Shotgun Riot, and now Gallows have parted company with Frank Carter, maybe it’s time for a new band to take the mantle and run with it…

Maybe it’s time to rock the fuck out to Grindhouse.


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